This week, my JE classes are looking for artifacts, to try and piece together the mystery of Jemicy’s history. An artifact, I told them, is something made by hand. Maybe a piece of pottery, a chunk of metal or glass, or a stone shaped for a purpose. Jemicy’s wooded hillside leading down to the stream is loaded with artifacts, having been backfilled with the construction refuse of prior tenants, including a dairy farm and another small school. We headed out with collecting bags to search the woods. Immediately, old bricks and chunks of clay drainage pipe were discovered. Pieces of thick, oddly shaped glass surfaced, and large slabs of concrete protruded from a half century’s collection of forest detritus. It seemed impossible to account for all the pieces of human activity strewn around us. We spent an hour hunting, spreading out through the woods, and when we finally gathered to share our finds, “artifact” had expanded its meaning. Here, among the scattered clay and glass shards, were spherical garnets and chunks of sparkling mica schist, jagged pieces of quartzite, a handful of scarlet spicebush berries, some wild apples, a black crow’s feather, and a red-tailed hawk’s red tail feather. In these woods so altered by humans, many of the most attractive artifacts are those that are not shaped by hands. They are the collectible bits of evidence that other animals have been here, fruits announcing ripeness, and the gleaming, perfectly pocket-sized rocks that weather and time have revealed.